Rick Ross at DAR

Purveyor of polished music videos (replete with tricked-out cars and busty babes) and recent recipient of MTV’s Hottest MC in the Game award, Rick Ross played DAR Constitution Hall last night. You’d think a big commercial name like Ricky Rozay would be sure to pack ‘em in from miles around, but that’d be a negatory, good buddy – the venue was embarrassingly empty. Like, entire-sections-empty empty. I couldn’t help but wonder why. Was it the overpriced tickets ($55-$116) or was the show just poorly promoted? I only heard about it on Tuesday through a bit of luck. Maybe it was a little of both.

Maybe it was the incessant m-m-m-m-Maybach Music shoutouts and Michael Bay-esque diamond explosions that looped at the beginning and end of each and every song. Yeah, that didn’t get old. You can’t fault him for being a shameless self-promoter, but damn, Rick. Keep it gangsta.

To his credit, the Boss has a good stage presence, spittin’ out rhymes and boasts while lumbering around the stage like a blinged out grizzly bear. He played all his hit songs, including Everyday I’m Hustlin, Blowin’ Money Fast, I’m Not a Star, and coke-dealer anthem 9 Piece.

He was trying his best to give the concertgoers their money’s worth, but for whatever reason the crowd seemed largely disinterested — they tepidly sang along and seemed to just be standing around bored. DC’s always been known for its notoriously fickle, hard-to-please hip-hop crowds, but damn. I mean, you spent a lot of money on going to this show, at least try to have a good time. Unsurprisingly, Rick left the stage without fanfare and didn’t stay for an encore.

I left feeling a little sorry for the Don. The abundance of empty seats and the small crowd’s lack of enthusiasm got me wondering if despite his massive popularity, is it possible Ricky Rozay is the Nickelback of the hip-hop circuit?

Written by Joel Church. Buy his book Fingerprints here at Amazon.

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Weekend [East City] Round Up: Transformers Edition

photo courtesy of Porch Project

All Events are Saturday February 25, 2012

Art Enables (2pm to 4pm)

Art Enables celebrates its tenth anniversary this Saturday.   In ten years, the organization grew from its humble origins as a single classroom to running two art galleries in Woodridge NE.   For additional information click here.  Art Enables is located at 2204 Rhode Island Avenue, NE.

DC Glass Works (3:30pm to 8pm)

Have you ever wanted to blow glass or see how glass is made?  This is your chance.  DC Glassworks is having an open house this Saturday.  Bring the children as it is a family friendly event.  As always, the hosts will provide a generous array of food and refreshments.  For more information click here.  DC GlassWorks is located at 5366 46th Avenue, Hyattsville, MD

Porch Projects (4pm to 7pm- remembrance speech at 5pm)

The Capitol Hill “domestic exhibition space” has garnered a lot of media attention this week  (see here and here).  Their current exhibition Megatron is Dead brings together the work of local artists Sam Scharf, Bonner Sale and Zach Wills for a combination performance-installation piece not to be missed.   For more information, including information on how to schedule an appointment to attend this event, please click here.

The Fridge (5pm to 9pm)

The Fridge is showcasing the work of children who attend Albus Cabus led classes at the Perry Center in Eckington.  The theme of the exhibition is Warhol’s iconic works reinterpreted through the eyes of  burgeoning young artists.  All proceeds from the sales go to purchasing art supplies for the Perry Center.  For more information, click here.  The Fridge is located in the Rear Alley behind 516 8th Street SE.

Phil Hutinet is the Editor-in-Chief of East City Art.  You can get more information about East HaCity Art on Facebook  or follow them on Twitter

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House of Secrets: The Mansion on O Street

pic courtesy of IgoUgo, author Idler

Previously one of DC’s best kept secrets, the Mansion on O Street is a simply exquisite place to spend the day. Equal parts museum, hotel, and brunch spot, there’s certainly something for everyone.

The usual DC museum experience this is not. To find such a quirky, description-defying museum tucked away on a residential street in tony Dupont is quite an impressive feat in our frequently uptight company town. $7 (or so, see full price list here) buys you admission to explore a collection of two or three conjoined rowhouses filled to the brim with bizarre kitsch.

There are over 100 rooms in the place, each with its own theme, and  each one decorated with a dizzying array of fascinating knick-knacks (all of which are for sale!), tons of framed art, an amazing collection of autographed guitars, and enough secrets to blow the roof off the Watergate.

The scope of such a vast hoard of curios and bric-a-brac is astounding. Everything changes regularly, so it’s great for repeat visits — you’ll see something new every time. Alas, dear readers, this is where my review ends. I’d give more details, but it would be a disservice to you to divulge any more — it’s truly better to keep this a surprise. A must see for people who don’t hate fun.

Read more here about making reservations.

2020 O St NW

Written by Joel Church.

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Filed under all the fixins, DC, Dupont, Uncategorized, unexpected

Ms. Vedral Goes to Washington: POV

pic courtesy of Washington City Paper

Living in a city that is constantly flooded with tourists for most of my life, you learn to be cool and nonchalant about all the amazing things your city has to offer. New Yorkers don’t go to the Statue of Liberty or the Empire State Building except on school trips or with out-of-town guests. So my first thought at arriving at POV at the W was “this is not for locals.”

In fact, a new friend that I made that night was quick to point out many times throughout the night that he only comes there with out-of-town guests, for the view.

But what a view.

There’s nothing that can compare to having a well-made drink and dancing to great music while staring at the Washington Monument. Or the White House. Or even just the Treasury Department. It’s breathtaking. And well worth the…well, I guess this is a good time to talk about the best part of the view. No crazy line. No overpriced cover. No random grinders dancing up on you, making you regret ever leaving your house that night. I’m not sure what the “Jersey” equivalent is here yet, but wherever it is, you don’t need to go there in order to get a good look at this view (also, I’m not sure what you guys call B&T, but I think that there was some of that action happening as well, just fyi).

DC, if you only knew how to play hard to get! NY would never let you get near such a view without paying dearly for it (time, money, dignity). This was when DC took of his glasses–ostensibly to clean them–and I saw some major potential.

So, it’s not for locals. But if you’re a fellow New York exile like me, you may need to come here from time to time and remind yourself that you still live in an amazing place. And if you’re a long-time DC resident, you need to bring your New York friends here; it will definitely earn you some street-cred.

Next time, I’ll tell you all about my dinner with the mayor of Café Milano!

Written by Juliet Vedral.  Where should Juliet go next time?  Make your thoughts known on Twitter.

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Filed under alive, best ever, DC, fabulous, free show, identity, Uncategorized

Tune Inn’s Beer-Battered Burger: The Best Worst Decision of My Week

pic courtesy of City Paper

Americans get a third of their calories from hamburgers. That is a truth-fact. I try to limit myself to one a week, which means that I’m not holding up my end of the national average and I’m forcing a lot of people to eat more burgers than they probably want to. But what I lack in quantity I make up for in enthusiasm. I love burgers. Getting to ask waiters about lean ratios and having butchers put a blend of beef through the grinder a second time to distribute the fat more evenly just makes me feel good inside. (And the sweet and savory bursts of juice from that first bite into a well-crusted medium-rare burger at 85/15 makes my mouth feel good inside, too.)

So, when I moved to DC a year ago, one of the first things I did was visit the legen…wait for it…dary Tune Inn, one of Hamburger America‘s 100 best burger joints in the US. (The first edition. The second edition has expanded the roster by 50%.) I found there one of the best greasy-spoon burgers I’ve ever had—rich in flavor, coarse in texture and almost juicy enough to be its own beverage.

Yes, I could have been content with the Tune Inn burger, had another menu item not sat there, quietly mocking me every visit: The Beer-Battered Burger.

Truthfully, like so many other things, it seemed like a good idea at the time. I’d heard rapturous things about the flavor of deep-fried burgers, and memories of making spicy, Guiness-battered onion rings made the idea of the beer-battered burger seem logical: If I’m gonna fry the thing, why not go all the way? But it took a year of seeing it on Tune Inn’s menu before I could screw up enough courage to inflict one upon myself.

It was a cold Friday night, and I was biking home to Capitol Hill relatively early, as I had a long and early Saturday ahead of me. It had been a few months since my last Tune Inn burger—truthfully, I hadn’t had one since before they shut down for repairs after a kitchen fire. Rumor had it that the fire and subsequent kitchen renovations hadn’t taken the slightest toll on their food, so I hungrily stopped by on my way home and decided to celebrate their re-opening in my own small, sad way.

Once my to-go order was ready, everything started going downhill. As I mounted my bike, a homeless man asked me if I’d mind sparing my leftovers. The humiliation of imagining myself from his eyes, glibly and greedily biking away hung like a cloud over me as I sat in my living room, styrofoam box opened to reveal my vegetables—a pickle and fries—and the pale, steaming burger.

The taste was at once both familiar and challenging, like moving to a new city with an old friend. The burger was fantastic. I ate it with every bit of greed and enthusiasm that the man I snubbed must have imagined, not that far removed from Civilization‘s Big Hog, and then, for the sake of health, I ate most of my vegetables, too.

Then, I sat.

And sat.

And sat.

Eventually, my roommate came home, and so as not to appear lazy or indigent, I flopped onto the ground and crawled on my stomach to the stairs. The railing was so, so high above me. How could anyone reach that high from the ground? No one could, and I don’t see how anyone would need to. I did just fine inching my way up to the second floor from my belly, each wooden step assaulting my nose and chin. There was no way I could make it to my bed—It’s so far up from the floor! Who would build a bed so high?—so I just lay there beside it and moaned myself to sleep.

When I woke up three days later, I was still full and the grease leaking out of my pores had seeped through my clothes and had made a puddle on my floor. I’m pretty sure it was leaking through the ceiling of the floor below. I was still full.

That burger was amazing.

Written by Rick Barry.  Read more at Gravy Boat.

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Filed under alive, all the fixins, alone, awful, best ever, Capitol Hill, DC, delicious

Ms. Vedral Goes to Washington: Bourbon

pic courtesy of Drink DC

New Yorkers, as a rule, do not impress easily. When we say that we’ve seen it all, we mean it. A simple ride on any subway will show this to be true. We live surrounded by historic landmarks and film crews shooting movies across the street from our iconic buildings. I saw my first transvestite and my first car fire in Alphabet City when I was five and it was not really a big deal.

So moving to DC has been a bit of a shock to the system if only for the lack of weirdness and intimidating architecture. Granted, I had explored the District a great deal before relocating and liked what I saw enough to pick up my life and move it to Capitol Hill. To me, DC is like a super hot, but nerdy guy that would be catnip to women if only he took off his glasses, loosened his tie and messed up his hair a bit.

In this series, I will explore and record some of my more impressive DC experiences as a New York transplant.  It’s all very new and exciting, and I plan to make the frickin’ most of it.

This past Friday, I had the pleasure of attending a friend’s birthday at Bourbon in Adams Morgan. I had been told that it was fun and kind of casual. It is both of those things. What I liked the most was the music, a great mix of hip hop and dance. It was accessible and most importantly, danceable. I’ve passed the age of clubbing and most of the fun nightlife in New York has moved over toward sexy and intimate speakeasy-type bars. It was a nice treat to dance and to people watch. I might be back if I need to get my dance on and flirt with a bartender.

Stay tuned for next time: I snag an enviable spot at POV at the W (how’s that for Alphabet City, New York?).

Written by Juliet Vedral.  Follow her on Twitter.

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Filed under Adams Morgan, alive, DC, Hill people, new, Uncategorized

Die Antwoord: Huh?

pic courtesy of Consequence of Sound

A heady brew converged upon Nightclub 9:30 (for more on the history and identity of the 930 Club, see here) last night to see the Zef movement’s crown jewel, Die Antwoord. Emerging from total obscurity in 2010, this hip-hop outfit crept onto the scene with a bizarre mix of rap, electronica, and world music. The band is a bit of an enigma – are they for real, or are they adeptly self-aware and the joke’s on us, a la Borat? The recent release of their second album doesn’t give us any answers.

For those unfamiliar, Die Antwoord consists of two fronters – Ninja and Yolandi, and a DJ who goes by Hi Tek. Ninja, never one to wear a shirt onstage, is proudly covered in crude tats reminiscent of the dude from Memento and wears little more than a pair of Pink Floyd gym shorts. Yolandi is a spunky, high pitched petite blonde with a crew cut mullet and a prominently displayed set of abs, and Hi Tek provides the beats. Got it?
Antwoord’s stop in our nation’s capital, in support of their 2nd album Ten$ion, was a crowd pleasing cavalcade of bass-thumping showmanship. Sure, their transparent efforts to shock comes off as cheap, but the DC crowd ate it up as Ninja and Yolandi spit out mad rhymes fresher than Speed Stick while jumping around on stage like a couple of crazed lunatics. Standout tracks include favorites Enter the Ninja, Fink You Freeky, and Fatty Boom Boom.
Once the hype dies down, the band will probably have to resort to playing The Gathering of the Juggalos, but for now, who cares. Fun time, great show.  Check out their new single here.
Written by Joel Church.

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Filed under creativity, DC, fad, music, Uncategorized

Weekend [East City] Roundup: Quilted Edition

pic courtesy of Off Rhode Studio

Saturday February 11

  

Off-Rhode Studio Gallery (1pm to 4pm)

Off-Rhode Studio Gallery, a project of Art Enables, presents an exhibition of locally produced quilts inspired by a recent exhibition at the American Folk Art Museum in New York.   For additional details, click here.  Off-Rhode galleries is located at 2204 Rhode Island Ave NE.

  

CHAL (5pm to 7pm)

The Capitol Hill Art League hosts an opening reception for an all-media exhibit entitled Far Away. The League’s exhibition will be juried by Marsha Staiger, a Torpedo Factory Artist and faculty member of the Alexandria-based Art League School.   For additional details and a preview of the work, click here.  CHAL exhibits at the Capitol Hill Arts Workshop located 545 7th Street SE

 

The Fridge (7pm to 10pm)

The Fridge presents new work by Posse II and Catherine Koch.  Posse II, AKA Daniel Hopkins, is a graffiti “writer” born in the Bronx and raised in Yonkers, NY.  Koch, a photographer, has spent the last three year following Posse II and documenting his work around the globe.  Her photographs should provide a spurious curatorial statement in the form of visual documentation of Posse II’s larger murals.   For additional details, click here.  The Fridge is located in the Rear Alley behind 516 8th Street SE.

Phil Hutinet is the Editor-in-Chief of East City Art.  You can get more information about East HaCity Art on Facebook  or follow them on Twitter

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America Eats Tavern: Isn’t This That New Jose Andres Place?

I suppose there are two distinct kinds of Washingtonians: those who care about Jose Andres and those who do not.  Maybe you don’t care that he has brought the purposeful and flavorful cooking of his Spanish homeland to our Bloomin’ Onion nation.  That’s your prerogative.  And I pity you.

Jose Andres is the creator/owner/name behind the Think Food Group.  His name graces such steadfast culinary hotspots as Oyamel, Jaleo, Zaytinya, Minibar, and Café Atlantico.  It is this last which he decided to shut down for a year and use its Penn Quarter location to create a pop-up restaurant called America Eats Tavern.

This restaurant was running in conjunction with the exhibit which was at the National Archives until January 3, What’s Cooking, Uncle Sam?  Andres and the Archives teamed up to create the menu.  On it you’ll find not descriptions of the food itself, but the histories behind them.  Deciding on a dish takes twice as long because the diner are caught up in reading about the origin of peanut butter or about how the Waldorf Hotel came upon its famous salad.

The food is low but prepared high.  Take the Key Lime Pie for example.  It comes out on its plate looking like a modernist painting, but all the parts are right there, and are they ever delicious.  The oysters come with a basket of homemade flavored vinegars, ranging from watermelon to pear to red wine.

Just in case you didn’t pick up on the low/high theme, the waitstaff are all dressed in button down white shirts with ties…and wear red Chuck Taylors.

Go ahead and make your reservations now.  Getting in can be a bit of a crapshoot, so try not to leave this much history and style to chance.

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Filed under all the fixins, Chinatown, creativity, delicious, history, Uncategorized

Boundary Road: (P)review

 

Boundary Road, the long-awaited tavern and eatery at 414 H Street NE, is officially opening on Monday after a series of delays, according to their Facebook page. Aside from the wagon-wheel chandelier upstairs, the decor looks great (lots of wood and exposed brick) and their drink menu looks quite inventive, including one made with maple syrup. I must say, however, ordering a drink called “I’m Thinking About Getting a Vespa“, while soaked in delicious irony, will get really old, really fast. I’m looking at you, Denny’s and your Moons Over My Hammy. We urban dwellers all know brevity is key – our lives are too fast-paced and glamorous to waste on extra syllables.

As for the food, it’s been described as rustic American. Everything looks promising, from the small plates to the entrees to the meats and cheese. Don’t fear, all you non-committal foodies out there – DC Style is Real will have a supplemental review once the place opens. Until then, we’ll be counting down the days.
Written by Joel Church.

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Filed under H Street, new, Uncategorized